The driving force of the song is the repeated command of the “Shut up and go to bed” messaging that served as the album’s original teaser. The album opens on title track and first single “Viva Las Vengeance,” setting a frantic pace and establishing these themes of fame, criticism, and burnout. The storytelling quality of these songs calls to mind classic tracks like Bruce Springsteen’s “Glory Days” or Billy Joel’s “Scenes from an Italian Restaurant,” painting a nostalgic picture. The retro theme of the album fits the theme well the songs are about Urie’s almost twenty year relationship with the highs and lows of fame, calling back to his teenage years in the early days of Panic! and ruminating on love, criticism, and burnout. ![]() Drawing inspiration from the ‘50s, ‘60s, and ‘70s, Viva Las Vengeance features Urie’s signature vocals, Queen-esque choral harmonies, and the big sound associated with stadium stompers and Broadway Act closers. Viva Las Vengeance, Panic!’s seventh album and first album in over four years, is no exception to this. Throughout all of image, influence, and musical shifting, there have been several constants to Panic!’s work–bold showmanship, clever wordplay, and an impressive display of Urie’s vocal range. Odd., the dark glam of the Vegas-inspired Too Weird to Live, Too Rare to Die!, and the Sinatra lounge act found on Death of a Bachelor, to name a few. ![]() Throughout the different lineups, Panic! embraced a myriad of musical stylings–the emo-pop, burlesque-fueled days of A Fever You Can’t Sweat Out, the baroque pop of the Beatles-esque Pretty. The pop rock outfit, originally a Las Vegas-born four-man band, has gone through a few different lineups before becoming Brendon Urie’s solo project in 2015. To say that Panic! at the Disco embraces change might read like a bit of an understatement.
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